Thursday, 20 December 2012

Funnyman Brian Regan keeps it clean

Kelly Rae Smith for the Charleston City Paper

The sun is barely up in Las Vegas and Brian Regan is chugging a cup of coffee while we speak to him from afar about his upcoming show at the North Charleston Performing Arts Center. For many people, 7 a.m. is way too early for thoughtful communication, much less a laugh or two, but Regan isn't most people. This renowned comedian, who has earned no less than 25 appearances to date on Letterman, seems at ease cracking jokes at sunrise and graciously laughing at mine, too. He has, after all, been creating laughter for a pretty long time.

"I guess I've been funny since I was a little kid," he says. "I always tried to make my friends at school laugh at lunch, and my brother and sister laugh, and I always tried to make my mom and dad laugh, too. I guess I think I've been funny for ever since I can remember."

But not everyone has always agreed. His first paid gig was in his college town of Tiffin, Ohio. His audience was a sea of children. "That was the first time I did stand-up and unfortunately it went horribly bad. I went out to the manager to thank him, and he brought me in his office and he gave me $10. I was probably 21."

Still, it was during those early years that Regan, originally from Miami, decided he was probably funny enough to earn a living doing stand-up. Instead of experiencing the kind of nervous meltdown many suffer through during the obligatory public speaking class, Regan relished it. "I'd do my five-minute speeches in front of a small class, and I remember the feeling when they laughed, and I remember walking back to my dorm and thinking, this isn't the way I feel after biology class!"

Now at age 55, Regan has come a long way. Having made several successful recordings, including a Comedy Central special and 2012's CD All By Myself, Regan has spent the past 20 years perfecting his craft. One could probably credit a lot of his mass appeal to the distinct comedic path he's chosen. You see, while many of his popular predecessors and current colleagues may need one heavy-duty bleeper if shown on live TV, Regan has chosen to keep it clean.

"I always worked mostly clean anyway," he says. "I used to have some dirty jokes but it was always only a very small percentage of my act. I decided at one point to just drop the little percentage — not because I'm clean, but because I'm anal. I don't want to be 95 percent something, so 100 percent clean it is."

He admits there's an ethical tug-of-war that happens at times, but essentially he knows what works best for himself first, but also for his audience. "I am capable of thinking things that might be considered blue or whatever, and there are times I think should I explore that onstage," he says. "But, you know, right now there's plenty of things to talk about that don't go in that direction and I choose not to, and I certainly have a bit of a following that like it that way. I still like to do clean comedy so I avoid other thoughts, but maybe one day down the road I'll change my opinion."

More than anything, he is proud that he can spend his time making his audiences feel something that is wonderfully pure. "When people laugh, it's an honest reaction — especially when people laugh hard," he says. "People can applaud when they didn't care for something that much and so it's nice to be onstage with a room full of people laughing. I feel like I can trust the reaction. When they're laughing, I think, man, they must like me."

YALLFest returns for another round of YA lit love

Kelly Rae Smith for the Charleston City Paper

No one could blame you for assuming that something called YALLFest would be a down-home kind of hoedown, abundant with either biscuits or bourbon, and definitely dripping with drawls. In fact, YALLFest is a celebration of the ever-growing genre of young adult literature. You may not see many cowboy hats there, but it's sure to be quite a stimulating day of appearances by almost 50 literary heroes, over half of whom are New York Times best sellers.

"It's a little funnier and wilder than some of the more staid book events," says Margaret Stohl, co-author of Beautiful Creatures and co-organizer of the event. "It's meant to be an entertaining and wildly enthusiastic book weekend."

YALLFest came about only last year, the brainchild of Blue Bicycle Books' Jonathan Sanchez. When he realized that many book festivals didn't give the young adult genre a very big chunk of deserved recognition, he contacted a few YA author friends, and soon this cleverly named, completely nonprofit event was born. Now in its sophomore year, YALLFest has nearly doubled its lineup of authors and is expecting an equally encouraging turnout.

One factor in the fest's success is no doubt the swift surge in popularity that YA lit has seen over the last decade. As evidenced by The Hunger Games, Twilight, and the like, more and more YA novels are proving to be must-haves for an increasing number of young readers — and adults. However, Sanchez thinks that it's not really such a sudden concept after all.

"It's always been there to some extent," he says. "There's always been Narnia, Lois Lowry, Judy Blume. But lately, a lot of people have been sort of tapping into various energies. The Hunger Games made teenagers feel vital and vulnerable at the same time, which is kind of how you feel when you're a young person."

Melissa De La Cruz, another co-organizer of YALLFest and author of titles like The Witches of East End and Blue Bloods, seems certain that the trend stems from the likes of Harry Potter, a book series that has sold more than 400 million copies, helping many more novels to climb the YA lit ladder.

"After Harry Potter, there was a wealth of interest and a lot more authors were writing for kids," De La Cruz says. "And then Twilight came, which was deeply romantic, and it's kind of gone from there. Now there's these action-y, not-so-romantic, but kind of more heroic books, and it's just become this whole evolution."

But despite the undeniable rise in kids' love of reading, YA fiction really isn't just for minors anymore. De La Cruz says that more than 50 percent of the YA fiction readership is comprised of adults.

"With kids' books, we can be in that idealistic, optimistic mindset," De La Cruz says. "You're seeing the whole world as open to you, and you can be anybody you want. You're not a 40-year-old accountant trapped in a cubicle anymore. You're a kid and you're smarter than everybody and you have so much promise. I think that a lot of people just kind of love that time when you can be anything and think anything, and I know I love to write about it. I think that dramatically we're drawn to it."

There really doesn't seem to be a vast difference in a teenager's reasons for reading, though. Take Lily Frain, a former pupil at Blue Bicycle Books' summer writing camp. She says, "I love reading because it is some where no one else can be or go in my own mind, where I can go alone and unafraid, and where I find shelter from reality. It also opens my mind to other possibilities and worlds inside our own and inspires me to create my own stories and ideas."

Frain will be among the many young readers at YALLFest this Saturday seeking inspiration from the slew of events that have been painstakingly organized for the enjoyment of young and older minds alike. But the attendees won't be the only ones seeking inspiration. In fact, the influence of our beautiful little corner of the coast is heavily relied upon in many writings of YALLFest authors. Kami Garcia's and Stohl's Beautiful Creatures, for example, is set in a fictional town called Gatlin, outside of Charleston. (A Warner Brothers' adaptation is due out in theaters this February, by the way.)

Thanks to Conde Nast, it's no secret that Charleston's the best city in the nation, so of course authors as far as California, Canada, and Ireland are packing their bags. "Charleston is magical," Stohl says. "That's why we set our books there, because it's a magical place. We write about magic in the Lowcountry because it's the remaining place in the United States where you could imagine that magic could actually happen."

Stohl and the rest of the crew may be excited about Charleston (and its food!), but the real joy will come when they're face to face with their fans.

"Meeting our readers is the most fun part of the festival. I've told all of the authors, when you meet your readers from the South, you're so moved. They're so polite and appreciative. It's just a different experience," De La Cruz says.

The writers are happy to chat and answer any questions at one of the signings or panels happening throughout the day, all of which will be stationed at the American Theater, the Charleston Music Hall, or Blue Bicycle Books. The keynote speakers, Cassandra Clare, author of City of Bones, and Holly Black, of The Spiderwick Chronicles' fame, will head up the festival with a discussion on literary friendships, which is fitting since that has essentially been the cornerstone of YALLFest since its beginning.

Literary agents will be available should any budding writers want a few minutes of one-one-one advice. And don't miss the 6 p.m. YALLFest Smackdown, a curious storytelling game where the entire cast of authors separate into teams and compete for a Golden Pie award.

One of nearly 20 panels will include In Production, which will discuss Garcia and Stohl's forthcoming book-turned-movie Beautiful Creatures as well as Cassandra Clare's The Mortal Instruments: City of Bones, which has a film release next year, too. Additionally, Carolina's Own will see five local writers engage with their fans. With a healthy roundup of Southern authors on the bill, Charleston-based names included, you can be sure that this festival will have plenty of down-home personality.

Wednesday, 29 August 2012

Everyone’s a detective at the new Black Fedora Theatre

Mystery Off Market Street

by Kelly Rae Smith

Charleston seems to be developing its own little theater district. Mere footsteps from the Footlight Players Theatre and the Dock Street Theatre, there's a new kid in town — Black Fedora Comedy Mystery Theatre and Shoppe, now comfortably settled in a cozy space on Church Street.

Sherry and Darryl Wade aren't new to the business, but this is the first time they've had their own place to hang their hats — fedoras, if we're being specific. The move to Charleston came after they spent many years taking their mobile theater troupes to perform at colleges and corporations throughout Atlanta.

"Darryl would write scripts to personalize the company, and we would take a group of actors to a meeting, event, or dinner and typically kill off the boss and let the company work together to solve the mystery. It was a fun, team-building entertainment option for businesses in Atlanta," Sherry says.

Their shows have always been 75 percent comedy and 25 percent mystery, and they're sticking with that format in this new venture — only this time they're applying it to tourists and the local public. On entrance, audience members are given a game piece and are quizzed on the dozens of fictional detective photographs that decorate the walls. During the course of a two-hour show, snacks (from the likes of Pit Stop Deli and King of Pops) and drinks can be ordered, whether you're seated at one of the walled booths or intimate round tables that fill the space. And at the close of each show, it's up to the audience to solve the big puzzle before the answer is revealed in a humorous little ending.

But that's not all: there's a lot of audience interaction. "They're the stars of the show," Darryl says. "The first half of the show, there's some silliness and we show a comic video that's filmed with our actors. Then the audience knows the second half is their thing. Audience members have roles that they play. They stand up and say their lines and they interact with the actors as if they were an actor in the play."

The theater contains no stage as such, so the actors are right there with the audience. Don't worry though; the actors are sensitive to those who don't want to be part of a punchline. They make sure the audience always gets the last laugh.

Black Fedora actress Sarah Bishop, also known as French maid Yvette Fufu, says it's all about reading the audience. "You have to be able to connect with your audience individually. When you're doing a show at a traditional theater, they say to make sure you connect with your audience — but your audience is a dark oblivion. Here, it's more personal, and we can't be afraid to improvise when audience members chime in at parts that aren't written for them. You can either let it throw you off or you can respond in character, and that just makes it more fun."

Darryl and Sherry stress that the name of the game is silliness, but in the name of kindness. They sought out actors with not only presence but also big smiles. "No matter what part you're playing — a French maid or a redneck janitor — your personality comes out to the audience, and we ultimately want everyone to feel part of it," Darryl says.

Showing until the end of August is Inspector NoClue's Murdery Mystery, where attendees can guess whodunit, with what weapon, and what motive. They'll run this show while adding A Charleston History Mystery in October, and a kid-friendly Pirate Mystery Treasure Show in the spring. In the spirit of holiday silliness, A Sweet T. Christmas will launch at the end of the year.

Tickets for Inspector NoClue's Murder Mystery, and all future shows, can be booked at

published 8/29/2012 in Charleston City Paper

Tuesday, 7 August 2012

Artist Sinisa Kukec is inspired by Miami’s trashy side

Contemporary artist Sinisa Kukec is almost your average dude. He likes to drink beer, flirt with girls, watch mindless action movies, "research" porn. But then there's an altogether unique, mind-bogglingly creative side to the artist who'll be taking up residence at Redux over the course of the next month.

Kukec's exhibition, From Void to Void, is a sequel to his Farewell Fountain show in Miami last fall, and will run from its Friday opening until September 10. Although the art is expected to be extra vibrant, it also has a forlorn flavor to it.

The 43-year-old Kukec uses his urban intellect, slick sense of humor, and green-savvy imagination to create bizarre and beautiful art that turns garbage into gold. His art begins very literally on the streets outside his Miami home.

"I have never lived in a city with so much trash on the side of the road. At the end of each month, you can potentially find a whole new body of work. Lately, I have been attracted to office furniture, desks, and chairs, or what I like to call points-of-power furniture," Kukec says.

Kukec's recent works begin with a "point of power" and build from there to ultimately reflect his common theme, or the core of his art. "The core of it is apparently consciousness, and everything outside of it. I like to think about it as a lifetime," he says. Kukec was born in Croatia, grew up in Canada, and, thanks to an artist green card, has lived throughout the United States. He currently resides in a "cave-like dwelling" somewhere in Miami, where he utilizes very few amenities. Although he's lived there for five years, he only installed hot water last winter. He calls his living/work situation "urban camping" and admits that it affects his work since what he creates is largely autobiographical.

"My work is my life and vice versa. I am interested in understanding my experience of consciousness and how it relates to all the things outside of me," he says.

Kukec has never visited Charleston, and is looking forward to it not only because he has read that it's America's sexiest city, but because, in his travels, he's learned to value discovering places like Redux.

"It's an opportunity to share and exchange thoughts, ideas, and feelings about stuff around us, as a human and as an artist. I am a perpetual student," he says.

As for From Void to Void, Kukec warns viewers not to have any expectations — he says that they usually lead to disappointment. Even the amount of sculptures that will be displayed is a secret.

"Over the past year, you can say I have been fighting for love in a dream, and I guess dreams are pretty subjective, so it's hard to say what someone else might experience. I recently described the work as a cosmic, psychedelic melodrama, but ask me six months from now and you might get a different answer."

Published by Charleston City Paper. You can also view this article on their website here.